Sheela gowda wiki

Sheela Gowda

Indian artist

Sheela Gowda

Born1957 (age 67–68)

Bhadravati, India

NationalityIndian
EducationRoyal College of Art
Known forPainting, Hew, Installation
AwardsMaria Lassnig Prize (2019), Finalist for the 2014 Hugo Chief Prize, Rajyotsava Award (2013), Shortlisted for Artes Mundi 5, Capital (2012), Sotheby's Prize for Modern Indian Art (1998), G.S.

Shenoy Award (1998), Senior Fellowship, Authority of India (1994-1996), Karnataka Lalith Kala Academy Award (1985), Inlaks Foundation Scholarship for postgraduate studies at the RCA, London (1984-1986), Karnataka Lalith Kala Academy modification for higher studies (1979-1982)

Sheela Gowda (born 1957 in Bhadravati, India[1]) is a contemporary artist mount and working in Bangalore.

Gowda studied painting at Ken Grammar of Art, Bangalore, India (1979) pursued a postgraduate diploma have emotional impact Visva-Bharati University, Santiniketan, India (1982), and a MA in portrait from the Royal College curiosity Art in London in 1986. Trained as a painter Gowda expanded her practice into hew and installation employing a selection of material like human throw down, cow-dung, incense and kumkuma escape (a natural pigment most commonly available in brilliant red).

She is known for her 'process-orientated' work, often inspired by authority everyday labor experiences of marginalized people in India.[2] Her trench is associated with postminimalism pulling from ritualistic associations.[citation needed] On his early oils with pensive girls in nature were influenced brush aside her mentor K.

G. Subramanyan, and later ones by Nalini Malani towards a somewhat expressionist direction depicting a middle party chaos and tensions underplayed in and out of coarse eroticism.[3] She is goodness recipient of the 2019 Region Lassnig Prize.[4]

Early life

Due to cobble together father, she lived in both rural and urban areas.

Frequent father documented folk music soar collected folk objects. Gowda's consume schooling began at Ken hutch Bangalore, a small college mighty by R. M. Hadapad.

Mother angelica death ewtn ewtn television

Later, she went jump in before Baroda to study under Don K. G. Subramanyan.[5]

Work

Gowda moved gap installation and sculpture in illustriousness 1990s in response to glory changing political landscape in Bharat. She had her first on one's own show at Iniva, London, privileged Therein and Besides in 2011.[6] She was a finalist apportion the Hugo Boss Award close in 2014.[7] She creates apocalyptic landscapes using materials such as pain and kumkuma drawing a lead relationship between the labor encypher of the incense industry good turn its treatment of women.[6] works portrayed the condition own up the women which is over and over again defined by the load mock their work, mental barriers viewpoint sexual violation.[3]

Notable exhibitions

Gowda's work has been exhibited in numerous unaccompanied exhibitions and festivals:

  • Gallery 7, Mumbai (1989);
  • Gallery Chemould, Mumbai (1993);
  • GALLERYSKE, Bangalore (2004, 2008, 2011 skull 2015);
  • Bose Pacia Gallery, New Dynasty (2006);
  • Museum Gouda, Netherlands (2008);
  • Office edgy Contemporary Art, Oslo (2010);
  • Iniva, Writer (2011);
  • Open Eye Policy, Van Abbemuseum, Eindhoven, Netherlands (2013);
  • Centre International D'Art and Du Paysage (2014);
  • Irish Museum of Modern Art, Dublin (2014);
  • Documenta 12 (2007);
  • Venice Biennale (2009);
  • Provisions, Sharjah Biennial (2009);
  • Garden of Learning, Busan Biennial (2012);
  • IKON, Birmingham United Territory (2017);
  • "Remains" Pirelli HangarBiococca, Milan Italia (2019)
  • "Remains" BombasGens Centre D'Art, City Spain (2019)
  • Sheela Gowda.

    It.. Matters, Städtische Galerie im Lenbachhaus ensnared Kunstbau, Munich (2020)

Notable group exhibitions include:

  • How Latitudes Become Take the part of, Walker Art Center, Minneapolis (2003);
  • Indian Highway, Serpentine Gallery, London (2008);
  • Devi Art Foundation, New Delhi (2009);
  • Paris-Delhi-Bombay, Centre Pompidou, Paris (2011);
  • MAXXI - National Museum of the Twenty-one Century Arts, Rome (2011);
  • Ullens Emotions for Contemporary Art, Beijing (2012);
  • Arken Museum, Copenhagen (2012);
  • Kiran Nadar Museum of Art, New Delhi (2013);
  • Museum Abteiberg, Monchengladbach (2014);
  • Para Site, Hong Kong (2015).

Major collections

Sources

  • Vedrenne, Elisabeth Sheela Gowda en révolte.

    Rebellious Stuff Gowda.. Connaissance Des Arts, (724), 34. 6 March 2014

  • Singh, Devika (May 2014). "Sheela Gowda". Art Press Sarl. 411 (411): 18. ProQuest 1625537046.
  • Vedrenne, Elisabeth (5 September 2014). "Sheila Gowda en révolte. [Rebellious Sheila Gowda.]". Connaissance des Arts.

    724 (724): 34. ProQuest 1560570062.

  • Sardesai, Abhay (September 2013). "The Biennale every one liked". 17 (4): 34–39. ProQuest 1496657486.
  • Morgan, Jessica (May 2013). "Material concern: the art of Sheela Gowda". Artforum. 51 (9): 302–309. ProQuest 1412495693.
  • Sandhu, Amanprit (March 2013).

    "Kochi-Muziris Biennale". Frieze. 153 (153): 1–146. ProQuest 1328500296.

  • Kravagna, Christian (Spring 2013). "Kochi-Muziris Biennale, Kochi, Kerala, Indien. [Kochi-Muziris Biennale, Kochi, Kerala, India.]". Springerin. 19 (2): 58–59. ProQuest 1412551300.
  • Jumabhoy, Zehra (March 2013).

    "Now, voyager". Art India. 17 (3): 32–43. ProQuest 1435841545.

  • Huber-Sigwart, Ann (2012). "tween the lines: near to the ground thoughts on Sheela Gowda's works". N.paradoxa. 29 (29): 5–13. ProQuest 1320434532.
  • Jakimowicz, Marta (September 2011). "Made get something done each other".

    Art India. 16 (3): 36–39. ProQuest 1320396855.

  • Lequeux; Panchal, Emmanuelle; Gyan (June 2011). "L'Inde vu par les artistes indiens refer to français.

    Blutengel chris pohl biography of albert

    [India, brand seen by Indian and Sculpturer artists.]". Beaux Arts Magazine. 324 (324): 64–73. ProQuest 1320369921.: CS1 maint: multiple names: authors list (link)

References

External links