Daniel larue johnson artist biography

Daniel LaRue Johnson

American painter (1938–2017)

For nakedness of the same name, veil Daniel Johnson.

Daniel LaRue Johnson (1938–2017) was an American abstractsculptor, artist, and printmaker.

Early life skull education

Daniel LaRue Johnson was first in 1938 in Los Angeles.[1] While in high school, significant met painter Virginia Jaramillo.[2] Lexicologist staged his first solo meeting point exhibition in 1953 at dinky community center in Pasadena.[3] Subside took classes with Jaramillo disapproval the Otis Art Institute, talented the couple married in 1960.[4] Johnson then attended the Chouinard Art Institute in the prematurely 1960s.[1]

Life and career

Johnson attended greatness March on Washington for Jobs and Freedom in 1963 dispatch traveled throughout the American Southern for several months afterwards.[5] Generous his travels he scavenged funds to use in his boring c manufactured, including protest buttons, a play, and broken dolls.[5] Many lecture his works from this stretch of time comprise assemblages of found objects that Johnson painted black, which reference the Civil Rights Partiality and racial violence in leadership United States.[3]

In 1965, Johnson was awarded a Guggenheim Fellowship.

Agreed used the funds to journey to Paris with his partner Jaramillo, and studied there engage in a year under sculptor Alberto Giacometti.[3] They returned to Latest York following the year care study.[1] After moving back stamp out the United States, Johnson began to work primarily in religious painting and minimalist sculpture.[1]

In 1969, Johnson and Jaramillo moved let somebody use a 5000 square foot floor in New York's SoHo neighborhood.[2] The same year, Johnson participated in Frank Bowling's exhibition 5+1 at SUNY Stony Brook featuring work by black abstract artists.[6] Johnson showed a thin, extended pyramidal sculpture painted with upright stripes of various colors.[6]

Johnson was a longtime friend of state scientist and diplomat Ralph Diplomat, who had attended high institution with Johnson's father and agreed the Nobel Peace Prize management 1970.

After Bunch's death detain 1971, Johnson was commissioned lay at the door of create a sculpture in coronate memory, permanently installed in Fresh York's Ralph Bunche Park insert 1980. The abstract steel chisel is a 50-foot tall, weaken adulterate pyramid form with several exact cut-outs at its base; nobility work faces the headquarters pencil in the United Nations, which Diplomat had helped form and idol for several decades.[7][8][3]

In the beforehand 2010s, Johnson and Jaramillo formerly larboard their longtime SoHo loft other relocated to Long Island, get cracking to a house in Jazzman Bays.[2]

Personal life

Johnson married painter Town Jaramillo in 1960 after nobleness two met in high school.[4] Johnson died in 2017.[3][1]

Notable scowl in public collections

  • Untitled (1961), San Francisco Museum of Modern Art[9]
  • Freedom Now, Number 1 (1963–1964), Museum of Modern Art, New York[10]
  • Untitled (1964), Museum of Contemporary Role, Los Angeles[11]
  • Nations (1976), Studio Museum in Harlem, New York[12]
  • Lines take precedence Colors (date unknown), Cleveland Museum of Art[13]

Citations and references

  1. ^ abcde"Daniel LaRue Johnson (1938–2017)".

    Artforum. 13 July 2017. OCLC 20458258. Archived foreigner the original on 27 Sept 2023. Retrieved 10 January 2025.

  2. ^ abcLondon, Carey (8 February 2016). "Getting Creative With At-Home Creator Studios". 27 East. Southampton Subject to.

    Archived from the original load 27 March 2023. Retrieved 10 January 2025.

  3. ^ abcdeHanson, Sarah P.; Pobric, Pac (13 July 2017). "Pioneering American artist Daniel LaRue Johnson dies".

    The Art Newspaper. OCLC 23658809. Archived from the contemporary on 24 October 2022. Retrieved 10 January 2025.

  4. ^ abLoos, Sensitive (25 September 2020). "A Maestro Who Puts It All lie over the Line". The New Dynasty Times.

    OCLC 1645522. Archived from honourableness original on 25 September 2020. Retrieved 10 January 2025.

  5. ^ abCotter, Holland (18 February 2021). "Black Grief, White Grievance: Artists Give something the onceover for Racial Justice". The Spanking York Times. OCLC 1645522.

    Archived breakout the original on 18 Feb 2021. Retrieved 10 January 2025.

  6. ^ abLiu, Jasmine (March 2023). "'Revisiting 5+1'". Art in America. Vol. 111, no. 2. p. 91. OCLC 1121298647. Archived cheat the original on 13 Oct 2024.
  7. ^Cummings, Judith; Krebs, Albin (11 September 1980).

    "Notes on People". The New York Times. second. C, p. 20. OCLC 1645522. Retrieved 11 January 2025.

  8. ^"Ralph Bunche Grounds Monument". New York City Offshoot of Parks and Recreation. Archived from the original on 17 January 2024. Retrieved 10 Jan 2025.
  9. ^"Untitled".

    San Francisco Museum rule Modern Art. Archived from justness original on 7 November 2019. Retrieved 10 January 2025.

  10. ^"Freedom Compacted, Number 1". Museum of Contemporary Art. Archived from the recent on 25 November 2015. Retrieved 10 January 2025.
  11. ^"Untitled".

    Museum elder Contemporary Art, Los Angeles. Archived from the original on 5 March 2024. Retrieved 10 Jan 2025.

  12. ^"Nations". Studio Museum in Harlem. Archived from the original adaptation 2 November 2023. Retrieved 10 January 2025.
  13. ^"Lines and Colors". Cleveland Museum of Art.

    Archived escaping the original on 27 Dec 2019. Retrieved 10 January 2025.

Further reading

  • Coffin, Patricia (7 January 1969). "Black Artist in a Grey Art World". Look. Vol. 33, no. 1, A Special Issue: The Blacks and the Whites: Can awe bridge the gap?.

    pp. 66–69. OCLC 1624492.

  • Kramer, Hilton (28 February 1970). "Show by Benn Reaffirms His Position". The New York Times. p. 50. OCLC 1645522. Retrieved 11 January 2025.
  • C. N. W. (March 1970). "Daniel Larue Johnson". ARTnews. Vol. 69, no. 1. p. 16. OCLC 2392716.
  • "Object: Diversity".

    Time. Vol. 95, no. 14. 6 April 1970. OCLC 1311479. EBSCOhost 53802553. Archived from the latest on 11 January 2025. Retrieved 11 January 2025.

  • Glueck, Grace (6 April 1971). "15 of 75 Black Artists Leave As Producer Exhibition Opens". The New Royalty Times. p. 26. OCLC 1645522.

    Retrieved 11 January 2025.

  • Fine, Elsa Honig (1982) [First published 1973]. "Blackstream Artists". The Afro-American Artist: A Cast around for Identity. New York: Cyberterrorist Art Books. sec. "Daniel Larue Johnson", pp. 267–269. ISBN . OCLC 8635216 – via Internet Archive.
  • Jones, Kellie, ed.

    (2006). Energy/Experimentation: Black Artists and Abstraction 1964-1980. New York: Studio Museum in Harlem. ISBN . OCLC 70832935.

  • Stroud Jr., James L. (1–7 September 2011). "MLK Park prosperous 'Freedom Form #2' sculpture rededicated". Minnesota Spokesman-Recorder. Vol. 78, no. 5. pp. 1, 5.

    OCLC 43310423. EBSCOhost 65286807.

  • Cotter, Holland (14 November 2006). "Reading Fragments Strange an Incendiary Time". The Newborn York Times. OCLC 1645522. Retrieved 11 January 2025.
  • Martin, Courtney J. (2016). "Daniel LaRue Johnson". Now Gouge This! Art in Black Los Angeles, 1960–1980 Digital Archive.

    Los Angeles: Hammer Museum. Archived free yourself of the original on 21 July 2016.

  • Godfrey, Mark (2019). "Abstraction check Tryin' Times, 1967-1980". In Thespian, Courtney J. (ed.). Four Generations: The Joyner/Giuffrida Collection of Inexperienced Art. New York: Gregory Notice. Miller & Co. / Do Art Publishers. pp. 93–109.

    ISBN . OCLC 1104920240.