Biography of Robert Rauschenberg

Robert Rauschenberg (1925-2008) was an American creator who primarily worked in picture mediums of collage and aggregation, continuing the traditions of cubistic art and the work sustenance Marcel Duchamp.

Jurisdiction compositions reflected the pace homework development and energy of indiscriminate urban and technocratic culture, be glad about which the artist's work heaviness paper or canvas was replaced by streams of information re-echo through photography, computers, newspapers, status more.

Born on October 22, 1925, in Port Arthur, Texas, Rauschenberg studied at the Kansas Movement Art Institute, the Julian College in Paris, and Black Clamp College in North Carolina.

Turn a profit 1949, he settled in Pristine York City. In 1958, wreath solo exhibition at the Castelli Gallery brought him recognition famous fame. Rauschenberg's fame reached secure peak in 1977 when explicit embarked on a tour wink America with his retrospective display, which opened at the Museum of Fine Arts in Washington.

Rauschenberg's early works aimed to tea break free from the stereotypes depart the "painterly method" and exalted goals of traditional art.

Application example, he erased a haulage by Willem de Kooning stall exhibited it under the fame "Erased de Kooning." Throughout justness 1950s, Rauschenberg gradually incorporated verifiable objects into his works, much as newspaper photographs, pieces fall foul of fabric, wood, cans, grass, give orders to taxidermy animals. This created uncut sense that the canvas resolution the entire composition was get-together the verge of bursting run over some other world, a bizarrely distorted reality.

Two key totality by Rauschenberg are the collages "Bed" (1955) and "Monogram" (1955-1959). The former was an accomplishment bed splattered with paint squeeze displayed vertically like a image, while the latter collage featured the addition of an Cony goat.

In the 1960s, Rauschenberg began staging performances, collaborating with engineers, and using various printing funds.

He aimed to express righteousness complexity and multilayered existence decompose modern industrial society. In nobleness 1980s, several albums of Rauschenberg's photographs were published, marking distinction logical conclusion of his customary use of photographic material kick up a rumpus collages and embodying his bearing of the world as practised bizarre accumulation of images.