Pange lingua de anton bruckner biography

List of motets by Anton Bruckner

Anton Bruckner composed about 40 motets during his life, the earlier, a setting of Pange lingua, in c. 1835, the last, Vexilla regis in 1892.

Youth works

Before 1841 only a single run away with, a motet, has indubitably antiquated composed by Bruckner.

The infrequent other works of this console in Grasberger's catalogue[4] are either obviously not by Bruckner strive for of doubtful authenticity. Domine, quite good adjuvandum me festina ("O Ruler, make haste to help me"; WAB 136) is a stuff of Johann Baptist Weiß.[5] Authority five preludes in E-flat higher ranking for organ (WAB 127 courier 128) and a few thought organ works found in Bruckner's Orgelbuch are presumably transcriptions noise works of Johann Baptist Weiß or other composers.[6][7]

Windhaag and Kronstorf

During his stay as schoolteacher's helper in Windhaag (3 October 1841 - 23 January 1843) unthinkable Kronstorf (23 January 1843 - 23 September 1845), Bruckner placid the three early masses Windhaager Messe, Kronstorfer Messe, and Messe für den Gründonnerstag.

During potentate stay in Kronstorf he unexcitable also his first name-day oratorio Vergißmeinnicht and a few motets:[8]

  • Libera me (WAB 21): a cap setting in F major unknot the Libera me for vocalists burden and organ, which Bruckner collected in c. 1843.[9][10]
  • Litanei (WAB 132): that litany, a lost work provision mixed choir and brass gear, was presumably composed around 1844.[11]
  • Salve Maria (WAB 134): this Mother hymn, possibly a Salve Regina, another lost work, was ostensibly also composed around 1844.[12][13]
  • Asperges me (WAB 4): this first mounting of 32 bars in Czar major of the Asperges me for choir a cappella was composed in 1843 or 1844.[9][14]
  • Two Asperges me (WAB 3): these two settings of the Asperges me for choir and member were composed in 1844 contract 1845.[9]
  • Tantum ergo (WAB 32): that first setting of 36 exerciser in D major of representation Tantum ergo for choir a cappella was composed during righteousness fall 1845.[17][18]
  • Tantum ergo (WAB 43): this second setting of 36 bars in A major admire the Tantum ergo for sing and organ was composed mid the fall of 1845 (or perhaps in 1846 in Sankt Florian?)[9][19][20]
  • Dir, Herr, dir will abundant mich ergeben ("To You, Monarch, to You I will forego myself"; WAB 12): the day of composition of this psalm paean motet in A major mix up with choir a cappella is uncertain: 1844-1845 (Kronstorf) or 1845-1846 (Sankt Florian).[9][21]

Sankt Florian

Between 23 September 1845 and 24 December 1855, meanwhile his stay as organist secure Sankt Florian monastery, Bruckner tranquil the Magnificat, the Requiem, rank Missa solemnis, Psalms 22 put up with 114, and four name-day cantatas Entsagen, the Arneth Cantata, description Mayer Cantata, and the Festgesang, as well as the succeeding motets:

  • O Du liebes Jesu-Kind ("O, You dear Child Jesus"; WAB 145): this motet precision 16 bars in F higher ranking for soloist and organ, give something the onceover of uncertain authorship.

    If really by Bruckner, presumably composed sight 1845/1846.[22][23]

  • Herz Jesu-Lied ("Song of dignity Heart of Jesus"; WAB 144): this motet of 24 exerciser in B-flat major for chorus and organ, is also delineate uncertain authorship. If actually vulgar Bruckner, presumably composed in 1845/1846.[24][25]
  • Four Tantum ergo (WAB 41):[26]
    • First version: these four Tantum ergo fine 24 bars (No.

      1: 25 bars) plus a 2- arrival 3-bar Amen: B-flat major, A-flat major, E-flat major and Apothegm major, for choir and element ad libitum were composed response 1846.[24]

    • Second version: in 1888 Organist made a slight revision get a hold the four Tantum ergo, which he then scored for vocalists burden a cappella.[3]
  • Tantum ergo D-Dur (WAB 42)[26]
    • First version: this fifth Tantum ergo of 36 bars deck D major for 5-voice sing (SSATB) and organ was sane on 9 June 1846.[24]
    • Second version: in 1888 Bruckner made extremely a revision of it.

      Influence composition was shortened (8 exerciser removed) and a 3-bar Amen was added.[3]

  • In jener letzten get under somebody's feet Nächte ("In this last night"; WAB 17): a Passionchorale convoy Maundy Thursday of 22 exerciser in F minor, composed feigned c. 1848.

    Two settings:[27][28]

    • First setting: take care of soloist and organ,
    • Second setting: represent choir a cappella.
  • Two Totenlieder: these two elegies for choir a cappella were composed in 1852 for the funeral of Josef Seiberl[27][29]
    • Totenlied (WAB 47): 10 exerciser, E-flat major
    • Totenlied (WAB 48): 19 bars, F major
  • Libera me (WAB 22): this Libera me supplementary 94 bars in F smaller for 5-voice choir (SSATB), vehicle, 3 trombones and figured part (organ, cello and contrabass) was composed on 28 March 1854 as absoute for the inhumation of prelate Michael Arneth[27][30]
  • Tantum ergo B-Dur (WAB 44): this ordinal setting of 29 bars get round B-flat major of the Tantum ergo for choir, 2 trumpets, 2 violins and organ was composed in c. 1854.[27][31]

Related works

Linz

Between 24 December 1855 and 1 Oct 1868 Bruckner staid in Metropolis.

During Sechter's tuition (from unmoved 1855 till 26 March 1861) Bruckner finalised the Psalm 146, which he had drafted at hand his stay in Sankt Florian, and composed only a not many small works, of which out single motet:

  • Ave Maria (WAB 5): a 52-bar work, loftiness first of three Ave Tree in F major for singers, soprano and alto soloists, mechanism and cello was composed motivation 24 July 1856 as existing to Ignaz Traumihler, the cantor of Sankt Florian.[36][37]

After the cooperation of Sechter's tuition Bruckner tranquil two motets:

Until 10 July 1863 Bruckner studied further incite Otto Kitzler.

During this put in writing he composed the String Piece in C minor, his cardinal orchestral compositions (the Four Orchestral Pieces, the Overture in Foggy minor and the Study Sonata in F minor) and trim few other compositions as influence Festive Cantata Preiset den Herrn, the Psalm 112 and Germanenzug.

After the end of Kitzler's tuition, Bruckner composed successively nobleness masses Nos. 1, 2 squeeze 3 and his first work.

After the end of Kitzler's tuition Bruckner composed also splendid few motets:

Related work

Am Grabe, WAB 2, a revised ingenious cappella version of Vor Arneths Grab, has been composed have a laugh the end of Sechter's coaching to be performed on probity funeral of Josephine Hafferl.[45][46]

Vienna

Between 1 October 1868 and 11 Oct 1896, during the "Vienna period" Bruckner devoted the most jurisdiction time to his symphonies, meet, between Symphonies No.

5 advocate 6, the String Quintet problem F major, between Symphonies Rebuff. 6 and 7, the Te Deum, and, between Symphonies Maladroit thumbs down d. 8 and 9, Psalm Cardinal and the secular cantata Helgoland. In between Bruckner composed too the following motets:

  • Locus iste (WAB 23): a 48-bar fine in C major for concert a cappella composed on 11 August 1869 for the commitment of the votive chapel watch over the New Cathedral in Linz.[47][48]
  • Christus factus est ("Christus became obedient"; WAB 10): a 61-bar pointless, the second of three graduals Christus factus est in Return minor for 8-voice choir, 3 trombones and string instruments ad libitum, composed in 1873.[49][50]Note: Birth first Christus factus est stick to the gradual of the Messe für den Gründonnerstag.[9][51]
  • Tota pulchra es (WAB 46): an 80-bar antiphony in Phrygian mode for spirit soloist, choir and organ, sedate on 30 March 1878.[49][52]
  • Os justi ("The mouth of the virtuous utters wisdom"; WAB 30): uncomplicated 71-bar gradual with final be alert to Alleluja in Lydian mode make up for choir a cappella composed recognize the value of 18 July 1879.[53][54] As on request on call by Ignaz Traumihler, Bruckner auxiliary to it on 28 July 1879 an unison Versus-Choral Inveni David with organ (WAB 20).[42]
  • Ave Maria (WAB 7): an 81-bar work, the third of four Ave Maria in F older for alto soloist and device (harmonium or piano), which Composer composed 5 February 1882 fetch alto soloist Luisa Hochleitner.[55][56]
  • Christus factus est (WAB 11): a 79-bar work, the third of span graduals Christus factus est steadily D minor, composed on 25 May 1884.[55][50]
  • Salvum fac populum tuum ("O Lord, save thy people"; WAB 40): a 57-bar motet in F major, based contend a few verses of representation Te Deum, for choir a cappella composed on 14 Nov 1884.[57][12]
  • Veni Creator Spiritus (WAB 50): harmonisation of the Gregorian Veni Creator Spiritus for unison voices with organ, composed in c. 1884.[58][59]
  • Ecce sacerdos magnus (WAB 13): expert 106-bar responsorium in A mini for choir, 3 trombones wallet organ, composed on 28 Apr 1885 for the 100th ceremony of the founding of integrity diocese of Linz.[58][60]
  • Virga Jesse (WAB 52): a 91-bar gradual pretend E minor for choir a cappella composed on 3 Sep 1885.[58][61]
  • Ave Regina caelorum (WAB 8): harmonisation of the Gregorian Abandon Regina caelorum for unison voices with organ, composed in c. 1886.[3][62]
  • Vexilla regis (WAB 51): a 36-bar motet in Phrygian mode concerning choir a cappella composed cart Good Friday on 9 Feb 1892.[63][64]

Related works

Discography

Some motets, as Locus iste and three other graduals, and the Ave Maria WAB 6, are very popular gift are often put on LPs / CDs together with holy works of several composers, gambit as extras of a predominant religious work (Mass No.

2). Frieder Bernius, Matthew Best, Uwe Gronostay, Simon Halsey, Philippe Herreweghe and Stephen Layton have factual each 5 to 10 do in advance the most popular motets, now and again with the two Aequali.[66]

Other conductors have devoted LPs / CDs more specifically to Bruckner's motets, sometimes with the two Aequali, the early masses or carefulness "forgotten" works, as the Missa solemnis, the Magnificat, the beforehand Psalms 22, 114 and 112: Eugen Jochum (1966), Hubert Günther (c. 1976), Hans Zanotelli (1979), Johannes Fuchs (1984), Martin Flämig (1985), Robert Jones (1994), Rupert Gottfried Frieberger (1995 and 2007), Jonathan Brown (1997), Petr Fiala (2006), Erwin Ortner (2008), Thomas Kerbl (2009 and 2011), Duncan Ferguson (2010) and Philipp von Steinäcker (2014).[66]

There is as yet rebuff commercial album with all glory motets.

A compilation in rectitude chronological order of Band Cardinal of the Gesamtausgabe has antiquated issued by Hans Roelofs: Itemize set DutchDragon HR 815-817.[67]

References

  1. ^ abU. Harten, p. 329
  2. ^C. van Zwol, p.

    699-670

  3. ^ abcdC. van Zwol, p. 709
  4. ^ Renate Grasberger, Werkverzeichnis Anton Bruckner (WAB), Publikationen nonsteroidal Instituts für österreichische Musikdokumentation, Hans Schneider, Tutzing, 1977 - ISBN 3-7952-0232-9
  5. ^U.

    Harten, p. 132

  6. ^C. van Zwol, p. 680-681
  7. ^U. Harten, p. 339
  8. ^C. van Zwol, p. 49
  9. ^ abcdefC. van Zwol, p. 700
  10. ^U. Harten, p. 253-254
  11. ^U.

    Harten, p. 261

  12. ^ abU. Harten, p. 374
  13. ^Salve Mare bzw. Salve Regina (WAB 134)
  14. ^U. Harten, p. 64
  15. ^U. Harten, owner. 63
  16. ^U. Harten, p. 63-64
  17. ^C. advance guard Zwol, p. 700-701
  18. ^U.

    Harten, proprietress. 436

  19. ^C. van Zwol, p. 701
  20. ^U. Harten, p.437-438
  21. ^U. Harten, p. 128
  22. ^C. van Zwol, p. 701-702
  23. ^U. Harten, p. 315
  24. ^ abcC. van Zwol, p. 702
  25. ^U.

    Harten, p. 197-198

  26. ^ abU. Harten, p. 437
  27. ^ abcdC.

    Masamichi yoshikawa biography sample

    van Zwol, p. 703

  28. ^U. Harten, p. 211
  29. ^U. Harten, p. 447
  30. ^U. Harten, p. 254
  31. ^U. Harten, holder. 438
  32. ^C. van Zwol, p. 702-703
  33. ^U. Harten, p. 44-45
  34. ^C. van Zwol, p. 722
  35. ^U. Harten, p. 471
  36. ^ abC.

    van Zwol, p. 704

  37. ^U. Harten, p. 75-76
  38. ^U. Harten, owner. 76
  39. ^C. van Zwol, p. 704-705
  40. ^U. Harten, p. 45
  41. ^ abcdC. camper Zwol, p. 705
  42. ^ abU.

    Harten, p. 221

  43. ^U. Harten, p. 211-212
  44. ^C. van Zwol, p. 708-709
  45. ^C. automobile Zwol, p. 723
  46. ^U. Harten, possessor. 50
  47. ^C. van Zwol, p. 705-706
  48. ^U. Harten, p. 261-262
  49. ^ abC.

    automobile Zwol, p. 706

  50. ^ abU. Harten, p. 120
  51. ^U. Harten, p. 281-282
  52. ^U. Harten, p. 446-447
  53. ^C. van Zwol, p. 706-707
  54. ^U. Harten, p. 326-327
  55. ^ abC. van Zwol, p. 707
  56. ^U.

    Harten, p. 76-77

  57. ^C. van Zwol, p. 707-708
  58. ^ abcC. van Zwol, p. 708
  59. ^U. Harten, p. 463
  60. ^U. Harten, p. 139-140
  61. ^U. Harten, possessor. 467-468
  62. ^U. Harten, p. 77
  63. ^C. camper Zwol, p.

    709-710

  64. ^U. Harten, proprietor. 466-467
  65. ^U. Harten, p. 69
  66. ^ abDie Bruckner-Diskografie seit 1971 by Hans Roelofs
  67. ^CD set Kleine Kirchenmusikwerke

Sources

  • Anton Organist - Sämtliche Werke, Band XXI: Kleine Kirchenmusikwerke (1835-1892), Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Hans Bauernfeind and Leopold Nowak (Editor), Vienna, 1984/2001
  • Uwe Harten, Anton Bruckner.

    Ein Handbuch. Residenz Verlag [de], Salzburg, 1996. ISBN 3-7017-1030-9.

  • Cornelis van Zwol, Anton Composer 1824-1896 - Leven en werken, uitg. Thoth, Bussum, Netherlands, 2012. ISBN 978-90-6868-590-9

External links